12/28/2022 0 Comments Free melodic minor scales pdf![]() These are really just the triads with one extra note and also essential structures for understanding the harmony related to the scale in the from that it is used in a jazz context.An excerpt of this exercise is shown in the example below. This will help finding places you can use it and relate it to other chords where it may be a good upper-structure.To shortly list the diatonic triads:I – AmII – BmIII – C augmentedIV – DV – EVI – F#dimVII – G#dim Diatonic 7th chordsThe next logical step is to check out the 7th chords. It is important to realize that along the way you will be better off also knowing what each diatonic triad is and what notes it contains. ![]() Using Melodic Minor on a Minor BluesIf you want to learn how to use Melodic minor in the context of a minor blues then check out this lesson. In the example below I am combining it with a Gsus4 triad, which is also a good device for a CmMaj7 arpeggio. The arpeggio contains the augmented triad and the A adds a nice set of colors on the chord:B7(#5): B Eb G ARelative to C: Maj7 3rd 5th 6th #5 The G7(#5) and Gsus4The G7(#5) is another way to use a non-diatonic arpeggio on a CmMaj7 chord. The Dsus4 is a good way to emphasize the extensions of 9 and 6th on the Cm chord.The 2nd bar is mainly using some chromaticism and repeats the augmented triad in a higher octave.If you want to check out more Melodic Minor material in terms of triads and arpeggios then have a look at this article: #4 Dom7th#5 arpeggios (a great secret weapon)The B7(#5) arpeggio is a great arpeggio to use on a Cm melodic chord like CmMaj7 or Cm6. In this example I am combining the Augmented triad with a Dsus4 triad. ![]() #3 The Augmented TriadOne of the most flexible and useful parts of the of the sound of the scale is the augmented triad. ![]() The 2nd bar is made using chromaticism and a Cm triad. #2 Ebmaj7(#5)This line is chaining together two arpeggios from the Scale: Ebmaj7(#5) and CmMaj. ![]()
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